Ask Matt: Where Are the Kids (on ‘Big Bang’ & ‘Mom’), HBO’s ‘Westworld’ & ‘Barry,’ ‘Lost in Space’ Debate

Bernadette (Melissa Rauch) and Howard Wolowitz (Simon Helberg) on 'The Big Bang Theory' - 'The Comet Polarization'
Jordin Althaus/Warner Bros. Entertainment/CBS
Bernadette (Melissa Rauch) and Howard Wolowitz (Simon Helberg) on 'The Big Bang Theory'

Welcome to the Q&A with TV critic (also known to some TV fans as their “TV therapist”) Matt Roush, who’ll address whatever you love, loathe, are confused or frustrated or thrilled by in today’s vast TV landscape. One caution: This is a spoiler-free zone, so we won’t be addressing upcoming storylines here unless it’s already common knowledge. Please send your questions and comments to [email protected] (or use the form at the end of the column) and follow me on Twitter. Look for Ask Matt columns on most Tuesdays and Fridays.

 

Where Are the Kids?

Question: I have watched The Big Bang Theory from the beginning but am about to give it up for the reason that there have been two babies born and we have never seen them? Why have them if we’re not going to see them? — Doris, Cridersville, Ohio

Matt Roush: We do hear about them, especially as the arrival of the Wolowitz babes has impacted the lives and relationship of Howard and Bernadette. Other characters, most notably Stuart and Raj, have been drawn into the parenting situations from time to time as well. But to expect Big Bang to somehow turn into a family comedy at this stage of the game is beyond unlikely. It’s always a risk to add children to an established show—look at Grey’s Anatomy and how rarely we ever see Meredith’s brood—and while it’s unrealistic that little Halley and Neil Michael haven’t taken over their parents’ lives as real babies do, that’s not entirely out of character for a sitcom about geniuses who aren’t always at home in the real world.

Question: How is the hit comedy Mom just ignoring the fact that this “single mother” has had her children just disappear without a trace or a mention in a few seasons now?? The show is called Mom, but where are the kids??? — Donna

Matt Roush: I’m revisiting this recurring question/complaint one last time—in deference to the approach this month of Mother’s Day, and because kids on TV is something of a theme in today’s column. It’s not true that Christy’s kids, Violet and Roscoe, somehow suddenly vanished. Those storylines developed over time. It’s a fair comment, though, that a real-world sitcom like Mom should do a better job at referencing this aspect of Christy’s life, that having both kids no longer a part of her daily existence is a significant failing on her part (reflecting her long estrangement from her own mom, and Bonnie’s with hers). Mom has successfully reinvented itself as a comedy about a new sort of family unit—Christy, Bonnie and their fellow travelers in AA—but it wouldn’t hurt for them to at least reflect occasionally on what’s past, and what’s been lost.


These Kids Today!

Question: I’ve lately been observing the talent of child performers on TV shows and it struck me just how wonderful some of them are! Julia Butters, who plays Anna-Kat on American Housewife, has got to be one of the funniest, natural and sharp young actors on TV today. Giselle Eisenberg (Sophia on Life in Pieces) is another, as well as Elisha Henig, who plays the son on Alex Inc., to name just three—can you tell I’m a comedy fan? How do these kids get so good at what they do? Is it just natural talent? Do they go for acting lessons? These are mostly rhetorical questions, though I’d also love to know who are some of the child actors whose performances you currently enjoy on television (on comedies or others), and any former child actors who you can recall leaving strong impressions in the past? — Nick

Matt Roush: I’ll use this discussion to throw one of my final bouquets to the younger co-stars of ABC’s The Middle as it approaches the end of its run this month. (The series finale, airing May 22, is wonderful, by the way.) Watching Eden Sher as Sue, Charlie McDermott as Axl and Atticus Shaffer as Brick grow over the years has been an unending delight, and rare among TV children, they’ve stayed distinctly funny all along the way. I’d as soon not go into the memory archives for fear of leaving off someone obvious, but with a question about Westworld on the horizon, I’ll call out Evan Rachel Wood for her exemplary performance on Once and Again (along with Shane West and Julia Whelan). These young actors moved me like few others in that underappreciated Herskovitz-Zwick classic.


HBO’s Westworld and Barry: Confused and Appalled

Question: I watched Westworld from the very first show, and after the last episode all I can say is I am very confused and don’t know what is going on. So many dead people and I have no idea how this happened. What am I missing here? — Roger

Matt Roush: At this early stage of the season, it’s OK to feel you’re still in the dark. (I previewed the first five episodes, and still am not always sure what’s happening or even when.) I find Westworld endlessly fascinating, especially as it peels back more layers of the park while the hosts rally for revolution. It’s a very different show from the first season, and I appreciate that.

Question: I love Henry Winkler in Barry, but the language in it was really over the top. I can’t understand why the writers seem to have a need to use such filthy language. More surprised that Winkler would agree to it. Oh well, that’s what is happening in this country. Just saying! Of course I for one will no longer watch. — Pat

Matt Roush: You are aware you’re watching HBO, I presume? I may be as desensitized to TV profanity as I appear to be to the live audience/enhanced laugh track (a continued bête noire in my mailbag), but this doesn’t bother me when I enter a world as weird and violent as Barry’s, especially on a premium channel known for pushing content envelopes. It would probably bother me more if they all spoke in euphemisms. I will agree, though, that dyspeptic acting coach Gene Cousineau is one of Henry Winkler’s best roles in ages, probably since Barry Zuckerkorn on Arrested Development, and since it’s hardly a secret that Winkler is one of the most decent guys in all of show business, this is authentically terrific acting. How great would it be for this legend to finally get an Emmy for such a performance?


Lost in Space: Pro and Con

Question: I normally agree with most of your observations, but after your review, I have to speak up for the reboot of Lost in Space; I think the show has done a good job updating the premise and tone of the original. The first couple of seasons of the original was very much “family centric” and character-driven before it turned into the “monster of the week.” I think they’ve maintained that aspect. The flashbacks and adventure work for me; there’s no nudity or “gory” violence; special effects are great; maybe just moves too slowly for some viewers, but a decent show for youngsters and tweens. I think Irwin Allen would approve! Looking forward to season 2! — Steve C

Matt Roush: “Moves too slowly” is an understatement, but I’ll concede my childhood memories of the show may be a bit cloudy, and may have clouded my judgment. I mostly took objection with the family not even being alone on this planet for the entire first season, which felt like a set-up to the show many of us had hoped to see. I’m really getting sick of the slow build we’re meant to indulge on so many shows, this in particular.

Not surprisingly given the title and the genre, Lost in Space has stimulated a wide range of reactions in my mailbag. A sampling follows:

This from another Steve: “I TOTALLY agree with Bob S about Lost in Space. I was so hoping for some connection to the original, but it was just TOO different! After reading bad reviews, I chose to see for myself. I watched ONE episode only to confirm, it SUCKS!!!!”

From Joe P: “In regards to the Netflix reboot of Lost In Space, my entire family just doesn’t understand your review of this as well as the comments of many of your followers. We are three different households who all have totally enjoyed the show. Maybe because we didn’t get hung up on the title and just viewed this as a very good new sci-fi show. We are looking forward to the next chapter.”

And Joaquin wrote in to ask: “If the Centauri tri-star system (Proxima, Alpha and Beta stars) are the closest stars to Earth’s solar system (about 4 light years from our sun), what planet/star systems did the Jupiters crash on while the Resolute was on its journey from Earth to Proxima Centrouri? There are no star/sun systems and their supposed planets in this empty space.”

Matt again: Are you confusing me with Neal deGrasse Tyson? I haven’t the foggiest idea how to approach this cosmic question. The answer may lie in the stars, but I’m afraid I’m stuck here, lost on Earth.


Midseason Hopefuls

Question: I have fallen in love with Good Girls on NBC. It’s become appointment TV for me on Monday nights. I see the season is ending for them. Will they be back in the fall? — Janeen

Matt Roush: Maybe fall. Maybe midseason again. Maybe never. It’s a tough call. Good Girls loses more than half of its Voice lead-in and really suffered when airing opposite a juggernaut like The Good Doctor. (Not so much the case with ABC’s The Crossing, which also gets middling-to-puny ratings.) Seems to me that this is a promotable title with very appealing stars, and could evolve if nurtured into an even more interesting series. Again, hard to say. The NBC upfront presentation revealing the new lineup of shows is just two weeks away, and we’ll know more then.

Question: Is NBC’s Champions coming back? It’s growing on me! Every time I watch it, I like it more! The supporting acting ensemble is well defined and pretty funny. The writing is very clever. And the boy who plays Michael (J.J. Totah) is terrific! If it’s canceled, I hope they find another venue for him, he’s really good! Thank you! — Betty

Matt Roush: Again, hard to predict. Personally, I’d probably have enjoyed this comedy more if it were about Michael being raised by his quirky mom (Mindy Kaling) than by yet another self-absorbed man-child like his biological dad (Anders Holm). We’ll see which shows make the cut later this month.

 

That’s all for now. We’ll pick up the conversation again soon. Thanks as always for reading, and remember that I can’t do this without your participation, so please keep sending questions and comments about TV to [email protected] or shoot me a line on Twitter (@TVGMMattRoush), and you can also submit questions via the handy form below.




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  1. B

    BlueRadio

    Surprised that in your answer to Nick you didn't also call out all three kids on Young Sheldon. You'd already mentioned Missy in a previous column, but Sheldon and Georgie are also marvelous. (Iain Armitage, Raegan Revord, and Montana Jordan.)

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    OliveUmbrella

    One other reason the babies aren't shown on Big Bang--isn't it also because it's a bit of an in-joke, following in the footsteps of Howard's mother never being seen and just heard?

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  3. G

    GoldHammer

    “You are aware you’re watching HBO, I presume?” Well, that reply was condescending. And no matter what network something airs on, viewers have the right to dislike any aspect of it that bothers them.

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    1. R

      RedCupcake

      I agree. Just because a show is on premium cable doesn't mean it HAS to use an overabundance of raw language. It's done for shock value, and so that premium cable subscribers will feel they're getting their money's worth, for a show (and language) that can't be aired on 'regular' TV. I won't watch a show (or read a book) that has the F-word in every other sentence. I don't care how much people claim "that's how people talk." Nope, nobody I know talks like that, especially not to my face.

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      BlueSword

      I find it just lazy creative writing by the actors and writers especially on what is considered to be a "premium channel". It gets so bad it distracts from the actual storylines.

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    3. R

      RedCupcake

      The sad thing is, I hear people (on the street, in stores, etc) talk like that in real life, with sh-- this, and f--- that. Even when they're with kids. Really sad.

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    5. R

      RedCupcake

      The sad thing is, people talk like that AROUND OTHERS, PERIOD... in stores or on the street, where they're barely three feet away from their own children, other children, other adults who they don't know from Adam. They don't know, nor do they care, what people around them "like" or "dislike."

      Yes, they may be perfectly capable of being polite and civil in public... but only if they care to. If they're immersed in their own conversations, they don't notice or care who's around and are "vulgar as all get out" in the near presence of strangers, young and old. I'm not guessing about this. I hear it, on a regular basis.

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    7. R

      RedCupcake

      I said nobody I KNOW talks like that. Or if they do, it' not when I'm around. People I've heard who get vulgar every other sentence are not people I know. Nor, apparently, do I want to.

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    RedCupcake

    Speaking of kids on TV... years ago during the Everybody Loves Raymond era (which was a lie, as everyone did NOT love Raymond... I couldn't--and still can't--bring myself to listen to him) I'd see a scene here and there, or promos for the next episode. The house always had toys strewn around the iving room, to remind us that there are supposedly children in residence, but I have no idea how often the kids actually played a role in the episodes. I mean a significant role, and not simply walking in the house and then being sent upstairs to do their homework.

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      OrangeDog

      Wow both of your complaints are addressed in the opening sequence (at least in the first season sequence). It’s called Everybody loves Raymond because thats how Robert always felt, he felt like Raymond got everybodies love and could do no wrong and he was left with the scraps and could do no right, hence his sigh “cause everybody loves Raymond.” And Raymond says the story(show) has kids in it but they aren’t really what the story (show) is about, he literally tells everyone up front that the kids won’t get any of the focus.

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