Reviews
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Roush Review: A Bushel of Family Melodrama in Peacock’s ‘Apples Never Fall’
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Critic’s Notebook: The 2024 Oscars Set a Class-Act Standard
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Roush Review: Kate Winslet Rules a Ridiculous ‘Regime’
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Roush Review: ‘The Ones Who Live’ Tells ‘The Walking Dead’s Most Enduring Love Story
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Roush Review: They Don’t Make Epics Like ‘Shogun’ Anymore — Until They Do, Magnificently
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Roush Review: You Won’t Need to Look Hard to Find ‘Tracker’ on CBS
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Roush Review: ‘Curb Your Enthusiasm’ Is Going Out With a Farcical Frenzy
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Roush Review: ‘Capote Vs. The Swans’ Is a Vicious, Delicious ‘Feud’ in New York High Society
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Roush Review: Fly the Unfriendly Skies of WWII with Apple’s ‘Masters of the Air’
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Roush Review: ‘Woman in the Wall’ Delves Into Dark Mysteries of the Past
Critic’s Notebook: Celebrating TV at the 75th Emmys
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Roush Review: ‘True Detective’ Makes a Truly Chilling Return
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Roush Review: Clive Owen Is ‘Monsieur Spade,’ Classic Gumshoe in 1960s France
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Roush Review: Brit Police Drama ‘Criminal Record’ Plays a Tense Game of Cat & Mouse
The 10 Best Shows of 2023
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Roush Review: Weird, Wacky, Wonderfully Suspenseful, ‘Fargo’ Is Back in Top Form
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Roush Review: ‘Monarch’s Best Legacy Is Its Monsters
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Roush Review: ‘Murder’ Most Chilling in Iceland ‘at the End of the World’
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Roush Review: ‘Beacon 23’ Beckons Sci-Fi Fans to a Remote Space Lighthouse
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Roush Review: Too Much Bombast Obscures the ‘Light We Cannot See’
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Roush Review: Return to HBO’s Gorgeously Rendered ‘Gilded Age’
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Roush Review: Life in the Washington, D.C. Closet in Compelling ‘Fellow Travelers’
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Roush Review: ‘Lessons in Chemistry’ Cooks Up Some Delicious Period Drama
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Roush Review: ‘Fall of the House of Usher’ Transforms Poe Into a Corporate Immorality Tale of Karmic Justice
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Roush Review: ‘Frasier’ Revives a Classic TV Comedy Character
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Roush Review: Kiefer Sutherland in Updated ‘Caine Mutiny Court-Martial,’ Friedkin’s Final Film
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Roush Review: Jesse L. Martin Solves ‘Irrational’ Crimes in a Rare Scripted Fall Original
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Roush Review: On ‘The Morning Show,’ Dirty Laundry Never Looked So Good
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Roush Review: Weird Thrills Amid the Satire of ‘The Other Black Girl’
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Roush Review: Ooh La La! ‘Daryl Dixon’ Breathes New Life Into the ‘Dead’ Franchise
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Roush Review: A Cold Case, and Raw Grief, in New Season of ‘Unforgotten’
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Roush Review: Groove to ‘San Francisco Sounds’ of the ’60 & ’70s
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Roush Review: Curtain Up on a Theatrical Season of ‘Only Murders in the Building’
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Roush Review: A ‘Justified’ Comeback in ‘City Primeval’ for TV’s Coolest Lawman
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Roush Review: Fasten Your Seat Belts for Apple’s Real-Time Thriller ‘Hijack’
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Roush Review: ‘The Bear’ Season 2 Is Good Enough to Eat
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Roush Review: NYC Is Zombieland in Tired ‘Walking Dead: Dead City’
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Roush Review: Slowly Untangling a Psychological Puzzle in ‘The Crowded Room’
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Roush Review: Murder and Merriment in an Un-‘True Story’
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Critic’s Notebook: How ‘Succession,’ ‘Barry’ & ‘Ted Lasso’ Stuck Their Landings
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Roush Review: ‘Happy Valley’ Ends on a Gripping, Cathartic High
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Roush Review: ‘City on Fire’ Fizzles in a Convoluted Slow Burn
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Roush Review: Past, Present & Future Collide in ‘Class of ’09’ FBI Drama
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Roush Review: ‘White House Plumbers’ Are Watergate Bumblers in an Overwrought Tragicomedy
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Roush Review: ‘Masterpiece’ Embraces a Frisky Classic in a New ‘Tom Jones’
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Roush Review: Heroism Shines in ‘A Small Light,’ a New Twist on the Anne Frank Story
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Roush Review: HBO’s ‘Barry’ Goes for the Emotional Jugular to the Last Drop
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Roush Review: A Mostly Marvelous Final Act for ‘Mrs. Maisel’
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Critic’s Notebook: Musical Mania With ‘Schmigadoon!’ Sequel & ‘Grease’ Prequel
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Critic’s Notebook: Battle of Sunday’s Buzziest Shows (‘Succession,’ ‘Yellowjackets’)
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Roush Review: Can Love Survive Hearing Voices in the Musical Rom-Com ‘Up Here’?
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Roush Review: Kiefer Sutherland Falls Into a ‘Rabbit Hole’ of Conspiracy and Deception
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Roush Review: The Misadventures of a Young ‘Marie Antoinette’ Among Spoiled French Royals
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Roush Review: Get All Shook Up with the Berserk ‘Agent Elvis’
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Roush Review: Win or Lose, ‘Ted Lasso’ Is a Champ
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Critic’s Notebook: Emotions Ran High on Oscar Night
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Roush Review: A 1930s ‘Perry Mason’ Pursues ‘Illusion of Justice’ in Season 2
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Roush Review: ‘History of the World, Part II’ Is a Rollicking By-the-(Mel)-Brooks Romp
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Roush Review: ‘True Lies’ on TV Feels Like ‘Alias’ on Helium
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Roush Review: Playing a Lying Game in ABC’s ‘The Company You Keep’ Caper
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Roush Review: Nostalgia, Suspense Fuel ‘Star Trek: Picard’s Final Season
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Roush Review: New Setting, Same Old ‘You’ in Season 4
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Roush Review: ABC’s Lively ‘Not Dead Yet’ Comedy
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Roush Review: Finding a Way Past Grief with ‘Dear Edward’
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Roush Review: Board Syfy’s ‘Ark’ at Your Own Risk
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Roush Review: Pamela Anderson Takes Control of Her Narrative in ‘Pamela, A Love Story’