Reviews
Review
Critic’s Notebook: Few Surprises at the 2021 Emmys
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Roush Review: Peering Into ‘The Morning Show’s Fishbowl of Piranhas
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Roush Review: Ken Burns’ Dynamic Portrait of Muhammad Ali Is a Knockout
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Roush Review: Devastating ‘Scenes’ From a Rocky Marriage
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Roush Review: ‘Guilt’ Is a Masterpiece of a Guilty Pleasure
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Roush Review: ‘Impeachment’ Is Mostly Monica’s Tripp-y Story
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Roush Review: Emerging Once Again, Hilariously, From the ‘Shadows’
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Roush Review: Three Amigos Investigate a Merry ‘Murder’
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Roush Review: Shallow Dish About the ‘Gossip’ Biz
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Roush Review: ‘Chapelwaite’ Not a (‘Salem’s) Lot of Fun
Preview
Roush Review: Sandra Oh Occupies a Wobbly Academic ‘Chair’
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Roush Review: Escape with ‘Nine Perfect Strangers’ to a Trippy Retreat
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Roush Review: Falling in Love Again With ‘Modern Love’ Stories
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Roush Review: Joseph Gordon-Levitt’s TV Comeback as ‘Mr. Corman’
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Roush Review: Always Rooting for the Hilarious ‘Ted Lasso’
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Roush Review: ‘The End’ Wants to Be a Life-Affirming Comedy About Death
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Review: Syfy’s Spooktacular ‘SurrealEstate’ Sells More Than Haunted Houses
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Roush Review: A Harrowing Journey Into the Icy ‘North Water’
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Roush Review: Sing Along With ‘Schmigadoon!’
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Critic’s Notebook: Few Surprises in the 2021 Emmy Nominations
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Roush Review: An Unforgettable Fourth Season of ‘Unforgotten’
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Roush Review: Laugh Till You Scream in ‘Wellington Paranormal’
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Roush Review: How Sitcoms Changed With the Times
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Roush Review: ‘Gossip Girl’ Reboot Is Gag-Worthy
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Roush Review: Dark Clouds in Paradise in HBO’s ‘White Lotus’
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Roush Review: ‘Bosch’ Is Police Drama at Its Best
Roush Review: Mirth and Music in ‘Central Park’ Season 2
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Roush Review: ‘Evil’ Is Still Wickedly Enjoyable
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Roush Review: The Theatrical ‘Rent’ Revolution Heads to Cuba
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Roush Review: ‘Kevin’ Is One F***-ed Up Show
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Roush Review: The Cartoonish Farce of ‘Why Women Kill’
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Roush Review: Pushing for Middle East Peace in HBO’s ‘Oslo’
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Roush Review: Life, Death, and Second Chances in ‘Kominsky Method’s Final Season
