Reviews

Review

Roush Review: Familiar Rescue Thrills in ‘Echo 3’

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Roush Review: Kumail Nanjiani Leads a Gaudy Dance of Death in ‘Welcome to Chippendales’

Spoiler Alert

‘Dead To Me’: How Creator Liz Feldman Crafted That Emotional Final Season

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Roush Review: ‘Fleishman’ Examines a Relationship and Family ‘in Trouble’

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Roush Review: ‘The English’ Not at Home on This Bizarre Western Range

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Roush Review: A New Cast Inherits ‘The Crown’ in the Queen’s Twilight Years

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Roush Review: Modestly Funny ‘Blockbuster’ Is a Nostalgic Relic

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Roush Review: Perils of Paradise in a Sicilian ‘The White Lotus’

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Roush Review: Meet ‘Karen Pirie,’ Hot on the Trail of a Cold Case

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Roush Review: ‘Documentary Now!’ Returns With Mock Docs That Feel Hilariously Real

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Roush Review: Ladies’ Night on ‘Masterpiece’ With ‘Magpie,’ ‘Annika’ & Return of ‘Miss Scarlet’

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Roush Review: Apple’s ‘Shantaram’ a Sprawling Epic of 1980s Bombay

Roush Review: Showtime’s ‘Let the Right One In’ Tells Another TV Vampire Story

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Roush Review: AMC’s Seductive ‘Interview With the Vampire’ Has Passionate Bite

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Roush Review: NBC’s ‘Quantum Leap’ Reboot & Hulu’s Spoof of the ‘Reboot’

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Critic’s Notebook: Big Grrls and Empowered Women Triumph at 2022 Emmys

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Roush Review: ‘Monarch’ Sings a Familiar Country Tune

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Roush Review: ‘Wedding Season’s Romance Is a Giddily Suspenseful Farce

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Roush Review: ‘The Rings of Power’ Restores Wonder to ‘Lord of the Rings’ Epic Fantasy

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Roush Review: Trapped With a Killer ‘Patient’ in a Claustrophobic Thriller

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Roush Review: ‘Welcome to Wrexham’ Brings Hollywood to Wales for Underdog Story

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Roush Review: Same Throne, More Dragons in a Grim ‘House of the Dragon’

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Roush Review: Sisterhood Gone ‘Bad’ in a Darkly Comic Farce

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Roush Review: A Nail-Biting ‘War’ Fought with Bytes and Bots

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Roush Review: ‘Tales of the Walking Dead’ Brings the Franchise Back to Life

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Roush Review: New ‘League of Their Own’ Takes Big Swings

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Roush Review: The New ‘Password’ Is … Fun!

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Roush Review: Paul Newman & Joanne Woodward’s Love Story, Love for Acting

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Roush Review: More ‘Murders in the Building,’ More Fun

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Roush Review: Maya Rudolph Is Priceless in ‘Loot’

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Roush Review: Reliving Black Baseball History in ‘After Jackie’

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Roush Review: Bryan Cranston, Annette Bening ‘Go Large’ in Big-Hearted Comedy

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Roush Review: This ‘Old Man’ Is One Lethal Dude

Roush Review: ‘Becoming Elizabeth’ Turns History Into a Lusty Bodice-Ripper

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Roush Review: Ben Whishaw Painfully Good in ‘This Is Going to Hurt’

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Review: ‘Stranger Things 4’ Drags Despite Hair-Raising New Threat

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Roush Review: ‘The Ipcress File’ Is a Kitschy Keeper of a Spy Caper

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Roush Review: Tap-Happy Sutton Foster in Slap-Happy ‘Anything Goes’

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Review: ‘The Time Traveler’s Wife’ Is Unwatchable

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Roush Review: ‘Hacks’ Avoids Sophomore Slump as It Hits the Road

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Roush Review: New ‘Legacy,’ Same Old Good Old ‘Bosch’

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Review: ‘The Wilds’ Season 2 Continues Its Tense Mystery

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Roush Review: 1960s Undercover Intrigue on ‘Ridley Road’

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Roush Review: A Wrenching Holocaust ‘Survivor’ Story

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Roush Review: An ‘Offer’ You Could Take or Leave

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Review: ‘Under the Banner of Heaven’ Is Just a Touch Too Drab, Too Slow

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Roush Review: ‘Barry’ Slays With Its Uncanny Blend of Humor and Suspense

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Review: ‘Gentleman Jack’ Season 2 Tells a Complex Tale of Romance

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Roush Review: Claire Foy, Paul Bettany Clash in ‘A Very British Scandal’

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Roush Review: A Slick But Shallowly Scandalous ‘Anatomy’ Lesson

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Roush Review: ‘The First Lady’ Spotlights 3 Women Who Broke the Mold

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Review: ‘The Flight Attendant’ Season 2 Does Better With Sobriety Than Spycraft

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Roush Review: ’61st Street’ Squanders Great Actors in Downbeat Crime Drama

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Review: ‘Benjamin Franklin’ Is Most Engaging When It’s Trying to Solve a Puzzle

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Roush Review: I Spy a Winner in Darkly Amusing Thriller ‘Slow Horses’

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Roush Review: ‘Julia’ Is a Four-Course Banquet of Sheer Joy

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Roush Review: Over the Moon for Oscar Isaac as ‘Moon Knight’

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Critic’s Notebook: Drama at the 2022 Oscars (Though Not in the Awards)

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Roush Review: Apple’s Gorgeous ‘Pachinko’ Tells a Multigenerational Tale of Sacrifice and Cultural Identity

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Roush Review: Expect the Unexpected in Third Season of ‘Atlanta’

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Roush Review: New Romance on ‘Bridgerton,’ Same Old Gossip

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Roush Review: A Return to ‘Sanditon’ Leaves Much to be Desired

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Review: Despite Solid Performances, Apple TV’s ‘WeCrashed’ Doesn’t Work

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Review: Expect Comedy Gold in ‘Mr. Mayor’ Season 2

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Roush Review: Samuel L. Jackson Reveals Many Sides of ‘Ptolemy Grey’

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Roush Review: ‘Pam’ Is Many Things, But Is She Interesting?