Roush Review: USA’s ‘The Sinner’ Is Dark, Disturbing and Unsettling
Remember the blue-sky USA, the network of Royal Pains, Covert Affairs, White Collar, Psych and Monk? With the grim and emotionally grueling The Sinner, the network takes its most flagrant stab—and I mean that literally—at shifting gears from blithe escapism to no-escape nihilism.
There’s bleak, and then there’s Sinner bleak, turning a day at the beach into a grotesque explosion of inexplicable violence, perpetrated by a restless young wife and mother who can’t explain what happened. She doesn’t deny the horrific act she committed in full public view: “I don’t know. I just did it. I don’t know why,” mutters a numbed, dazed Cora Tannetti, played with impressively authentic anguish by Jessica Biel, who also executive produces this eight-episode limited series (and projected anthology).
“You don’t get to do what you did and not know,” declares Harry Ambrose (a squinty, inscrutable Bill Pullman), the rumpled, grizzled detective on a case that’s less whodunit than why-did-she-do-it. As we’ve come to expect from this genre of dark, psychological mystery, especially when derived from European sources—this is based on a German novel by Petra Hammesfahr—Ambrose is also busy battling his own demons, estranged from his wife and in thrall to a creepy dominatrix.
Pictured: (l-r) Jessica Biel as Cora Tannetti, Christopher Abbott as Mason Tannetti
Pain is in abundant supply in this unsettling story. Harry gets off on it, and Cora unhappily wallows in it, continually flashing back to a nightmarish American Gothic childhood out of Carrie in which her severely religious mother doles out harrowing guilt trips, branding little Cora as a sinner who’s responsible for her sister’s illness. The more the story peels back Cora’s lurid past, the more the puzzle deepens about what could possibly have triggered her psychotic episode.
It’s easy to see why Biel would covet and tackle such a demanding and raw role, and she’s thoroughly convincing in conveying Cora’s confusion, stubbornness and despair, at one point advising her perplexed and stricken husband (Christopher Abbott) to just move on. Even when Cora is on the verge of giving up, Detective Ambrose refuses to let Cora go down without fighting to uncover the truth behind her bloody deed.
This is potent material for sure, though also relentlessly depressing and, at times, gratuitously unpleasant. When Cora pleads, “I just want this all to end,” you might find yourself echoing that sentiment.
Is it a sin to just want to be entertained?
The Sinner, Series Premiere, Wednesday, Aug. 2, 10/9c, USA Network
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There is just something ... odd, off, unsettling, quirky, way TOO unusual ... about any of USA's TV series. I have tried to watch a few, but I rarely make it past the first episode, in some cases, past the first episode commercial. Just not my cup of tea, I guess. Thank goodness I have plenty of books to read.
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G
First...thank you for putting into words my feelings about The Sinner. I truly want to read a spoiler and not watch the end- it's painfully disturbing on so many levels-
(I mean...I love Bill Pullman, but after watching his twisted character in The Sinner, I don't care if I ever see him in anything again)
Second...USA...What? What a steady decline into soul sucking programing. Life is hard...give me light and frothy and fun TV- -
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Several adults in close proximity and NOBODY tried to intervene or throw something at her or subdue her? Not believable.
Emergency vehicles are on the scene and the victim's body is still lying on the beach roasting under the sun in public view? Not believable.
She's still sitting in the lot instead of being cuffed and taken in for crime scene processing? Not believable.This dour attempt to be "moody" ignores the simple literary fact that the higher the mountains, the deeper the valleys: in other words, pathos and humor create the rise so the drop into the abyss is more effective. This show's script is stupid writing.
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I really miss the "blithe escapism" of the old USA shows. They were such fun to watch. I'm sure I'll check out this show, but no way is it going to be fun.
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Pretty bizarre and, yes, unsettling but, while I can totally get it as to why some would not want to watch this, hell, I've GOT to....just to see why this woman would do such a thing! Hope it's truly interesting in a sort of case study, intelligent, brilliant sort of way and not just violence for the sake of violence. I have absolutely no qualms about the most graphic of violent portrayals as long as they are (a) at the right time- no children watching and (b) are portrayed for a meaningful reason and not merely gratuitous. We'll see, I suppose.....
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