Roush Review
Review
Roush Review: Finding a Way Past Grief with ‘Dear Edward’
Review
Roush Review: Board Syfy’s ‘Ark’ at Your Own Risk
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Roush Review: Pamela Anderson Takes Control of Her Narrative in ‘Pamela, A Love Story’
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Roush Review: Full Hearts, Wet Eyes in ‘Shrinking’
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Roush Review: No Lie, ‘Poker Face’ Is a Blast
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Roush Review: Fox’s ‘Accused’ Is Guilty of Ambitious Storytelling
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Roush Review: ‘The Last of Us’ Transcends Its Video-Game Roots
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Roush Review: ‘Anne Rice’s Mayfair Witches’ Are Less Than Bewitching
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Roush Review: Dionne Warwick Is Always in Tune in ‘Don’t Make Me Over’
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Roush Review: Who’s the Real Paul T. Goldman?
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Roush Review: Always Trust ‘Jack Ryan’ to Save the Day
The 10 Best TV Shows of 2022
Review
Roush Review: Shining an Inspiring Light on Public Education in ‘Let the Little Light Shine’
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Roush Review: ‘George & Tammy’ Sings a Country Love Story for the Ages
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Roush Review: Familiar Rescue Thrills in ‘Echo 3’
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Roush Review: Kumail Nanjiani Leads a Gaudy Dance of Death in ‘Welcome to Chippendales’
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Roush Review: ‘Fleishman’ Examines a Relationship and Family ‘in Trouble’
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Roush Review: ‘The English’ Not at Home on This Bizarre Western Range
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Roush Review: A New Cast Inherits ‘The Crown’ in the Queen’s Twilight Years
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Roush Review: Modestly Funny ‘Blockbuster’ Is a Nostalgic Relic
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Roush Review: Perils of Paradise in a Sicilian ‘The White Lotus’
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Roush Review: Meet ‘Karen Pirie,’ Hot on the Trail of a Cold Case
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Roush Review: ‘Documentary Now!’ Returns With Mock Docs That Feel Hilariously Real
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Roush Review: Ladies’ Night on ‘Masterpiece’ With ‘Magpie,’ ‘Annika’ & Return of ‘Miss Scarlet’
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Roush Review: Apple’s ‘Shantaram’ a Sprawling Epic of 1980s Bombay
Roush Review: Showtime’s ‘Let the Right One In’ Tells Another TV Vampire Story
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Roush Review: AMC’s Seductive ‘Interview With the Vampire’ Has Passionate Bite
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Roush Review: NBC’s ‘Quantum Leap’ Reboot & Hulu’s Spoof of the ‘Reboot’
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Critic’s Notebook: Big Grrls and Empowered Women Triumph at 2022 Emmys
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Roush Review: ‘Monarch’ Sings a Familiar Country Tune
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Roush Review: ‘Wedding Season’s Romance Is a Giddily Suspenseful Farce
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Roush Review: ‘The Rings of Power’ Restores Wonder to ‘Lord of the Rings’ Epic Fantasy
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Roush Review: Trapped With a Killer ‘Patient’ in a Claustrophobic Thriller
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Roush Review: ‘Welcome to Wrexham’ Brings Hollywood to Wales for Underdog Story
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Roush Review: Same Throne, More Dragons in a Grim ‘House of the Dragon’
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Roush Review: Sisterhood Gone ‘Bad’ in a Darkly Comic Farce
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Roush Review: A Nail-Biting ‘War’ Fought with Bytes and Bots
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Roush Review: ‘Tales of the Walking Dead’ Brings the Franchise Back to Life
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Roush Review: New ‘League of Their Own’ Takes Big Swings
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Roush Review: The New ‘Password’ Is … Fun!
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Roush Review: Paul Newman & Joanne Woodward’s Love Story, Love for Acting
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Roush Review: More ‘Murders in the Building,’ More Fun
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Roush Review: Maya Rudolph Is Priceless in ‘Loot’
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Roush Review: Reliving Black Baseball History in ‘After Jackie’
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Roush Review: Bryan Cranston, Annette Bening ‘Go Large’ in Big-Hearted Comedy
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Roush Review: This ‘Old Man’ Is One Lethal Dude
Roush Review: ‘Becoming Elizabeth’ Turns History Into a Lusty Bodice-Ripper
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Roush Review: Ben Whishaw Painfully Good in ‘This Is Going to Hurt’
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Roush Review: ‘The Ipcress File’ Is a Kitschy Keeper of a Spy Caper
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Roush Review: Tap-Happy Sutton Foster in Slap-Happy ‘Anything Goes’
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Roush Review: ‘Hacks’ Avoids Sophomore Slump as It Hits the Road
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Roush Review: New ‘Legacy,’ Same Old Good Old ‘Bosch’
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Roush Review: 1960s Undercover Intrigue on ‘Ridley Road’
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Roush Review: A Wrenching Holocaust ‘Survivor’ Story
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Roush Review: An ‘Offer’ You Could Take or Leave
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Roush Review: ‘Barry’ Slays With Its Uncanny Blend of Humor and Suspense
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Roush Review: Claire Foy, Paul Bettany Clash in ‘A Very British Scandal’
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Roush Review: A Slick But Shallowly Scandalous ‘Anatomy’ Lesson
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Roush Review: ‘The First Lady’ Spotlights 3 Women Who Broke the Mold
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Roush Review: ’61st Street’ Squanders Great Actors in Downbeat Crime Drama
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Roush Review: I Spy a Winner in Darkly Amusing Thriller ‘Slow Horses’
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Roush Review: ‘Julia’ Is a Four-Course Banquet of Sheer Joy
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Roush Review: Over the Moon for Oscar Isaac as ‘Moon Knight’
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Critic’s Notebook: Drama at the 2022 Oscars (Though Not in the Awards)
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Roush Review: Apple’s Gorgeous ‘Pachinko’ Tells a Multigenerational Tale of Sacrifice and Cultural Identity
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Roush Review: Expect the Unexpected in Third Season of ‘Atlanta’